The absolute symmetry of the images within this campaign are represented beautifully by model Lily Donaldson, whose timeless features enhance the geometry of the apparel adorning her.

An underlying pink theme serves as the foundation of this Escada campaign, which showcases the collection’s fashion and accessories in a vibrant manner. Simplified set decor contrast the complexity of merchandise — whether it is the detailed fabrics of the dresses or the countless color selection of the handbags.

The sepia tones of these photographs seem to blend model Bianca Balti into the backdrop, allowing the signature patterns of Missoni to become even more prominent. Though the set resembles a desert rather than a typical beachfront, the rich colors of the collection still provide a sense of energy as they come to represent the absent water and marine life.

As a complement to Giorgio Armani’s ethereal, bejeweled collection, Mert Alas & Marcus Piggott abandon the signature clarity of their photography, instead adopting a dynamic language of color that echoes the film style of Wong Kar-Wai a la “2046.” The addition of Chinese model Du Juan only supplements such a reference, while Jessica Stam holds her own in her return as the face of the brand.

The rich, dark hues of YSL’s collection are paired perfectly with shades of green and brown in the backdrop, creating a subtle contrast that captivates the senses. The overall effect is that of an oil painting, and through such a lush illusion Steven Meisel presents himself as an artist creating portraits, rather than a photographer snapping stills.

Steven Klein’s freshman effort with the mainline campaign of Dolce & Gabbana also signals a notable transition from retrospective to prospective in the brand’s image. Ultimately, Klein’s vision of futurism seems to convey more strongly through the women’s eyewear ads, where a sophisticated yet robotic illustration comes full-circle through the styling as well as model Georgia Frost.